10 Harsh Realities Of Watching Mad Max’s First Movie 45 Years Later

The original Mad Max is a low-budget, cult classic masterpiece that spawned one of the best action franchises ever, but that doesn’t mean it’s without its flaws, and those issues are even easier to see 45 years later. In just five movies, Mad Max has become one of the most recognizable and beloved action franchises in film. Everything about it, from Mad Max‘s main villains to the apocalyptic world of Mad Max, is a tenant of popular culture at large. The juggernaut of action that Mad Max became is all due to the original film, but it’s not without flaws.

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I’ve seen every Mad Max movie a dozen times, and I have a lot of love for the original film. There’s no overstating just what it did for action as a genre and movies as a whole, especially Australian cinema. Truly, the first Mad Max was a miracle, from its exceptionally low budget to its exceptionally high earnings, as well as the absolutely wonderful franchise it spawned. Even miracles can’t be perfect, though, and part of truly loving a movie is understanding how it could have been better. None of the problems Mad Max has made it anywhere near a bad film, but they’re worth discussing anyway.

10 Mad Max’s Apocalypse Doesn’t Feel Very Apocalyptic

Mad Max Takes Place In A Largely Normal Australia, Not The Wasteland It’s Known For

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Probably the biggest difference between the original Mad Max and the rest of the series is the state of the world. In the later films, the world was very clearly a war-ravaged dystopia filled with people who were both desperate for survival and driven insane by the apocalyptic conditions. In the first Mad Max, however, there isn’t a very clear apocalyptic feel. The roads are filled with dangerous and deranged motorcycle gangs, but there’s still a dedicated police force, businesses like diners and mechanics are still open, and Max (Mel Gibson) and Jessie (Joanne Samuel) even take a vacation.

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In many ways, Mad Max plays more like a police drama than a post-apocalypse movie. That’s fine on its own, but nowadays the Mad Max franchise is known almost exclusively for being set in a brutal wasteland. It’s hard to reconcile the first movie’s working hospitals and functional justice system with something like Furiosa: A Mad Max Saga‘s history men and organic mechanics. There’s such a divide that it almost feels like the first Mad Max isn’t even part of the same series, which hasn’t helped it age as gracefully as Mad Max 2: The Road Warrior has.

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9 Goose Is More “Mad” Than Max In The First Film

Even After He Goes Mad, Max Is Still Calm & Collected, While Goose Flies Off The Handle

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A major part of the Mad Max franchise is exploring the titular madness of its main character, Max Rockatansky. The first Mad Max, while it does show what caused Max to go mad, doesn’t actually devote much time to showing him being mad. Even after Jessie and Sprog’s death, Max doesn’t actually seem very insane. He does start torturing and mercilessly killing Toecutter’s (Hugh Keays-Byrne) men, but his rage rarely boils over. Max is cool as a cucumber for the final 20 minutes of the movie, and he runs bikers off the road and blows Johnny the Boy (Tim Burns) up with barely more than a flash of emotion.

If anyone in the original Mad Max fit the bill of being considered “mad,” it was Goose, not Max.

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Max’s lack of madness is made even stranger by Jim Goose (Steve Bisley), who has a few scenes that show he’s much madder than Max. After Johnny the Boy was originally released from MFP custody, Max and Fifi (Roger Ward) had to physically restrain Goose to keep him from killing Johnny. In that scene, Goose was raving mad, nearly foaming at the mouth, and he hadn’t experienced half the trauma Max did. If anyone in the original Mad Max fit the bill of being considered “mad,” it was Goose, not Max.

8 Max Hardly Spends Any Time Being Mad In The First Film

There Are Only 15 Minutes Where Max Is Anything But A Normal MFP Officer & Family Man

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Max is not the most insane character in the movie, and a big reason for that is because he barely spends any time actually being “mad.” Jessie and Sprog die about an hour and 15 minutes into Mad Max, and the film is only an hour and 30 minutes long. For a movie literally titled Mad Max, Gibson’s character only spends about 15% of the movie being mad. There’s simply not enough time for Max to truly convince the audience that he’s completely lost his mind.

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While the next three movies in the Mad Max franchise would answer what Max’s madness actually looked like, it’s still a black mark against the first film that it didn’t answer such a question itself. It feels like just as Mad Max gets going and finally takes Max’s muzzle off, it ends. After so much buildup and all the tragedies Max endured, it would have been nice to get more time to bask in the transformation he experienced. Instead of diving into Max’s mental state and the effect killing Toecutter had on him, however, Mad Max simply cuts to the credits.

7 Mad Max’s Bare-Bones Budget Sometimes Seems Very Obvious

Mad Max’s Low Budget & High Earnings Are Impressive, But It Impacted The Movie’s Action

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The first Mad Max was famously made on an absolutely bare-bones budget of just 400,000 Australian dollars, or about 350,000 U.S. dollars. It’s certainly impressive that George Miller was able to start the entire Mad Max franchise with such a small amount of money, but the limitations of that budget are sometimes plain to see in the original movie. Perhaps the clearest place the budget affects the film is in its action. Most of the chase scenes in Mad Max are just a handful of cars traveling down an empty highway in the Australian outback, aided by some very clearly sped-up footage.

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The first Mad Max‘s budget is even worse in comparison to the rest of the franchise, but it was even bad in comparison to some of the best low-budget action movies ever made. Mad Max‘s budget, adjusted for inflation, would have been about $1.6 to $1.7 million today. For just a bit more money, films like Oldboy ($3 million), Upgrade ($3 million), and The Raid ($1.1 million) accomplished a lot more impressive action than Mad Max did. While those films had the benefit of being much more modern, Mad Max‘s sometimes underwhelming action can’t be entirely blamed on its budget.

6 Mad Max Had Some Pacing Issues

Mad Max Spends A Lot Of Time On Unnecessary Dialog Instead Of Action

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Particularly after Mad Max: Fury Road and Furiosa, the franchise is known for high-octane, no-stop action. The first Mad Max, however, didn’t come close to the frenetic pacing of its later entries. Over half the film shows characters like Fifi or Toecutter talking about what they’re about to do rather than actually doing it. There’s also about 30 minutes between when Max decides to quit the MFP and when Jessie and Sprog actually died that could have benefited by being significantly trimmed down. It would be unrealistic to expect Fury Road‘s constant action out of Mad Max, but the original film still could have moved between scenes a bit more expeditiously.

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It would be unrealistic to expect Fury Road’s constant action out of Mad Max, but the original film still could have moved between scenes a bit more expeditiously.

Toecutter’s gang also provides a bit of a pacing problem for Mad Max. While some of the earlier scenes of the gang’s atrocities and their crimes against people traveling the roads were necessary to show how dangerous they were, they also could have happened more quickly. Mad Max also didn’t really need to establish their group dynamics so extensively, especially since Toecutter and Johnny the Boy were the only important members. The first Mad Max is often criticized for dragging a bit, and that critique isn’t without merit.

5 Max Got Out Of Some Tough Fights In A Somewhat Cheap Way

Mad Max’s Nightrider & Toecutter Saw Anticlimactic Endings

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Max has two main battles on the road in the original Mad Max. The first was with the Nightrider in Mad Max‘s opening scene, and the second was with Toecutter towards the end. Despite being the main battles of the film, both the Nightrider’s and Toecutter’s deaths came about in dissatisfying ways. The Nightrider died because a truck had broken down behind a blind hill, and he didn’t have enough time to react, while Toecutter died because he took his eyes off the road and rammed into a truck. Essentially, all Max had to do was keep up with them until they killed themselves.

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The anticlimactic endings to Max’s biggest fights weaken Mad Max. The Nightrider was supposed to demonstrate how Max was a significantly better officer than the other members of the MFP, and establish why Fifi did everything he could to keep him around. All it really proved, however, was that Max could drive faster than the rest of the MFP. Toecutter’s death was also the main emotional payoff of Mad Max, yet Max didn’t get to take his revenge himself. A random truck got that pleasure instead, and it weakened Max’s tale of revenge.

4 Jessie Rockatansky Was Only In Mad Max To Die

Despite Treating Women Rather Progressively, Mad Max Still Didn’t Give Jessie Much Substance

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The original Mad Max actually was a bit ahead of the time in the way it treated women in 1979. Jessie was able to take charge and protect both Sprog and herself from Toecutter’s gang, at least initially, and May (Sheila Florance) even put a shotgun in the main antagonist’s face and trapped the gang for a moment. The female characters in Mad Max were much more capable than a lot of the film’s contemporaries, but that doesn’t change the fact that Jessie’s entire purpose is to die. Her character exists only to show what Max lost and explain why he went mad.

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A lot of books, shows, and movies fridged female characters both before and after Mad Max, but that doesn’t excuse creating a female character solely to enhance a male character’s story.

Jessie’s death in Mad Max is an example of “fridging,” comic’s worst trope. Fridging, also known as the “women in refrigerators” trope, is a problem because female characters are often given no depth or substantial development in favor of giving male leads a dark backstory. A lot of books, shows, and movies fridged female characters both before and after Mad Max, but that doesn’t excuse creating a female character solely to enhance a male character’s story. It looks even worse in hindsight, considering Furiosa is the current face of the Mad Max franchise.

3 The Original Mad Max Weakens The Franchise’s “Legendary” Story

Mad Max Is A Mythic Folklore Figure, But The First Movie Wasn’t Very Mythical

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One of the ways George Miller has explained the lack of a coherent Mad Max timeline is to say that the films are retellings of folklore from the Wasteland, and that “the Road Warrior” isn’t Max Rockatansky, but rather a series of legendary heroes. That’s a fascinating and unique way to explain why there isn’t much continuity between Mad Max films – and why Max is capable of such legendary feats – but it doesn’t fit with the first movie. In fact, it makes the folk lore idea of Mad Max harder to accept.

George Miller has said he was inspired by the reception
Mad Max
had around the globe and decided to view it as a folk tale. In Japan, audiences viewed Max as a samurai, in Scandinavia, as a Viking, and in the United States as a cowboy.

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The original Mad Max doesn’t feel like a folk tale in the same way the later films do, and it makes it harder to believe his name was used for a common hero. All Max really does in the first film is wipe out a handful of bikers, whereas in The Road Warrior he takes on an entire gang almost single-handedly, and in Fury Road he escorts the War Rig halfway across the continent. If Mad Max is supposed to be the origin story of a legend that was retold and modified across the Wasteland, then Max isn’t a very legendary folk hero.

2 The First Mad Max Leaves A Lot Of Setup For The Road Warrior Left Unseen

Between The Apocalypse & Max’s Transformation, A Lot Of Mad Max’s Worldbuilding Happens Between Movies

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As the first film in a series of five movies, a handful of comics, and two video games, Mad Max is a great start. As a prequel to The Road Warrior, however, it flounders. At the end of Mad Max, Max is enraged and drives into the Outback in a slightly dystopian Australia. At the start of The Road Warrior, Max is still driving, but he’s now nearly silent and working his way through the wreckage of the world. Mad Max could have set up the rest of George Miller’s vision better, but it left a huge amount of world building and Max’s character development for the unseen space between movies.

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Mad Max Movies In Chronological Order

Mad Max

Released 1979

Mad Max 2: The Road Warrior

Released 1981

Mad Max: Beyond The Thunderdome

Released 1985

Furiosa

Released 2024

Mad Max: Fury Road

Released 2015

Mad Max: The Wasteland

Release Date TBA

A big reason Miller’s folklore idea is so convincing is because Mad Max and the rest of the franchise feel so utterly disconnected. A big reason they feel so disconnected is because Miller went in an entirely different direction with The Road Warrior and every subsequent movie, and the vision he went on to put on screen was barely hinted at in Mad Max. Unfortunately, the entire franchise would have benefited by showing a bit of how Max became the Road Warrior and how the world died, rather than jamming it all into a quick (but still iconic) narrated recap at the start of the second movie.

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1 The Setup Mad Max Does Establish For The Rest Of The Franchise Is Largely Unused

Max’s MFP Roots Are Never Explored Again, He Never Mentions Jessie Or Sprog, & The Sequels Seemed To Forget About The Original

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Mad Max doesn’t connect well to The Road Warrior, but it is still the basis of the entire franchise and the start of the legend of Max Rockatansky. Unfortunately, the franchise seems to have forgotten how important Mad Max was. After 45 years and four new movies, there have only been a handful of references to the original Mad Max. The MFP died out almost immediately in Mad Max, Jessie and Sprog were never even mentioned again, and even the world itself seems to forget that just a few years prior there were working hospitals and legitimate police forces.

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Part of the reason the franchise forgot about Mad Max was unintentional. Lord Humungus’ scrapped backstory was supposed to reveal that he was Jim Goose, and his bandit gang would have been revealed as the remnants of the MFP. That isn’t the story that The Road Warrior presented, though, and the rest of the films never even tried to circle back to Max’s roots. It is clear that the franchise outgrew the original Mad Max very quickly, but for such a beloved and influential movie to be forgotten entirely is still a harsh reality to face.

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7.9/10 Mad Max RActionThriller Sci-Fi

Mad Max is a 1979 sci-fi action film from director and writer George Miller. Mel Gibson stars as Max a police officer in the future who goes after a gang of vicious motorcycle thugs. The film led to a long-running franchise including The Road Warrior, Beyond Thunderdome, Fury Road, and Furiosa.

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*Availability in US Director George Miller Release Date March 21, 1980 Studio(s) Kennedy Miller Entertainment Distributor(s) Roadshow Film Distributors Writers George Miller , James McCausland , Byron Kennedy Cast Mel Gibson , Joanne Samuel , Hugh Keays-Byrne , Steve Bisley , Roger Ward , Tim Burns Runtime 88 Minutes Franchise(s) Mad Max Sequel(s) Mad Max 2: The Road Warrior , Mad Max Beyond Thunderdome , Mad Max: Fury Road , Mad Max: The Wasteland Budget $233–266 Million Main Genre Action Expand

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