Before the X-Men franchise helped define early 2000s superhero cinema, X-Men: The Animated Series had already laid the foundation for some of the saga’s most iconic moments. Airing from 1992 to 1997, the Marvel cartoon introduced younger audiences to the complex mutant world while delivering storylines and visual beats that would resurface years later in the X-Men movie timeline. In fact, several dramatic scenes now viewed as cinematic highlights were originally executed – sometimes more faithfully – in the animated series.
Fox’s X-Men film series drew inspiration from decades of comics, but the influence of X-Men: The Animated Series is often overlooked. For many, the cartoon was their first exposure to characters like Rogue, Gambit, and Cyclops. Its serialized storytelling, especially in arcs adapting the “Phoenix Saga” and “Days of Future Past,” made it a perfect testing ground for cinematic storytelling. X-Men: TAS also benefited from being able to dive deep into themes like identity, discrimination, and sacrifice – elements that would later become cornerstones of the film franchise.
You are watching: 10 Iconic X-Men Movie Scenes That Happened Years Earlier In X-Men: The Animated Series
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Magneto catching the Blackbird
X-Men: TAS Season 1, Episode 13 “Final Decision” & X2: X-Men United
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In X2: X-Men United (2003), Magneto spectacularly catches the X-Men’s Blackbird jet in midair after the Air Force shoots it down. The scene showcased his immense power in an awe-inspiring moment. In the X-Men: TAS season 1 finale, “Final Decision,” Magneto surprises the X-Men by rescuing Xavier in the battle against Master Mold. Xavier, while piloting the Blackbird, is shot from the air by the Sentinels.
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As Xavier falls helplessly to the ground, Magneto catches the craft and asks, “Did you think I would let you die alone, Xavier?” The imagery is strikingly similar: Magneto standing tall, arms outstretched, controlling metal as if it were an extension of himself. Though the movie version is flashier thanks to special effects, the animated scene carries more emotional weight, as it marks a turning point in Magneto’s relationship with the X-Men.
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Jean Grey Is Possessed By The Phoenix
X-Men: TAS Season 3, Episode 4 “The Phoenix Saga, Part II The Dark Shroud” & Dark Phoenix
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2019’s was the second unfavorable attempt to adapt the iconic “Dark Phoenix Saga.” The movie drew from the classic origin story in which Jean Grey is possessed by the Phoenix Force while on a space mission with the X-Men. The movie is much more cinematic, with Jean being hit by the giant cosmic force while trying to repair a space shuttle telekinetically. The animated version is slightly more faithful, with Jean possessed by the Phoenix while piloting a spacecraft.
X-Men: TAS delivered a flawless rendition of the story, which was far more successful in capturing the emotional stakes than the rushed cinematic version. Sophie Turner’s portrayal in Dark Phoenix had potential, but the film’s compressed story arc lacked the grandeur and character development seen in the TAS version. While it looked stunning, the movie didn’t allow audiences to foster a relationship with Jean Grey before she was possessed, which is why X-Men: TAS (and the comics) were so devastating.
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Xavier Walks
X-Men: TAS Season 3, Episode 4 “The Phoenix Saga, Part II The Dark Shroud” & Dark Phoenix
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One of the more surprising moments in Dark Phoenix (2019) comes when Charles Xavier, long confined to a wheelchair, is made to walk by Jean, who controls him like a puppet. Flaunting her awesome new power, Jean uses her telekinetic abilities to make Xavier stand up and walk up a flight of stairs. It is a truly chilling visual, one designed to show audiences (and Xavier) that Jean’s abilities have grown far beyond those of her mentor.
X-Men: TAS proffers a very similar moment back in the “Dark Phoenix Saga.” In “The Dark Shroud,” the Phoenix Force causes Xavier’s dark side to come out and astrally project a walking (and sometimes floating) Xavier who torments the X-Men. While different, both examples use Xavier walking as a demonstration of the Phoenix’s influence and power. Interestingly, Xavier was also able to walk throughout X-Men: TAS season 2 while trapped in the Savage Land.
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The X-Men Team Up With Magneto
X-Men: TAS Season 1, Episode 13 “The Final Decision” & X2: X-Men United & X-Men: Days of Future Past
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The uneasy alliance between the X-Men and Magneto is a recurring theme in the films, first seen in X2 and again in X-Men: Days of Future Past. But X-Men: The Animated Series explored this dynamic years earlier in the season 1 finale, “The Final Decision.” After warning them against facing Mastermold and his Sentinels, Magneto joins forces with the X-Men to rid the world of the murderous androids.
The team-up is tense, driven by necessity rather than friendship, echoing the same reluctant cooperation later portrayed in the movies. X-Men: TAS highlighted the ideological rift between Xavier and Magneto even as they fought side by side—something the films would later develop in scenes between Ian McKellen and Patrick Stewart or Michael Fassbender and James McAvoy. This early depiction of Magneto as an occasional ally rather than a flat-out villain gave depth to his character and laid the groundwork for future cinematic adaptations.
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Days Of Future Past
X-Men: TAS Season 1, Episodes 11-12 “Days Of Future Past” & X-Men: Days Of Future Past
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Bryan Singer’s X-Men: Days of Future Past (2014) became one of the franchise’s most celebrated films. The time-travel story was directly lifted from the pages of X-Men comics, which X-Men: The Animated Series adapted across a two-part episode in season 1. In the animated version, it’s Bishop – not Kitty Pryde or Wolverine – who travels back in time to prevent the assassination that dooms mutantkind.
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This future world is bleak, with Sentinels ruling over North America, rounding up mutants into prison camps. Key visuals, including shadowed cityscapes and chained X-Men, appeared in both the cartoon and the film. While the movie had a more emotional tone and cinematic scope, the animated series told essentially the same story nearly two decades earlier – proving the show was far ahead of its time in bringing major comic arcs to the screen.
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Apocalypse Takes Control Of Xavier’s Telepathy
X-Men: TAS Season 4, Episode 21 “Beyond Good And Evil, Part IV: End And Beginning” & X-Men: Apocalypse
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In X-Men: Apocalypse (2016), one of the most chilling scenes involves Apocalypse amplifying and hijacking Professor Xavier’s psychic powers to mentally connect with – and dominate – everyone on Earth. It’s a terrifying moment, but it’s not the first time Apocalypse has manipulated Xavier’s mind. In the X-Men: The Animated Series season 4 finale, “Beyond Good and Evil,” Apocalypse abducts Xavier and exploits his psychic abilities to further his plans across time and space.
Using psychic amplification chambers and advanced alien tech, Apocalypse weaponizes Xavier’s mental reach in a nearly identical fashion. The cartoon explored this concept with rich detail, including dreamscapes and mental projections, giving viewers an early taste of how dangerous Xavier’s powers could be in the wrong hands. The animated Apocalypse’s master plan feels surprisingly modern and eerily foreshadows the cinematic version’s endgame twenty years later.
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Rogue Seeks A Mutant Cure
X-Men: TAS Season 1, Episode 9 “The Cure” & X-Men: The Last Stand
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X-Men: The Last Stand (2006) showed Rogue torn between her powers and her desire to live a normal life, leading her to seek out the “mutant cure.” Rogue’s internal conflict had already been deeply explored in X-Men: The Animated Series. In season 1’s “The Cure,” Rogue’s powers are a constant burden – she can’t touch anyone without draining their lifeforce. The episode dives into her tragic characterization as she seeks a purported mutant cure, which turns out to be a front for Apocalypse and Mystique to recruit mutants.
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Rogue’s struggle with her identity and the consequences of her abilities create a compelling emotional arc. While the movie only briefly touched on Rogue’s choice to remove her powers, the cartoon depicted her pain, confusion, and moral conflict far more intimately, years earlier. This helped solidify Rogue’s status as one of the most nuanced characters in the animated canon.
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Storm Fights Callisto
X-Men: TAS Season 1, Episode 5 “Captive Hearts” & X-Men: The Last Stand
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X-Men: The Last Stand hinted at Storm’s classic confrontations with the Morlock Callisto, but X-Men: The Animated Series gave her a full-on gladiatorial showdown worthy of her comic legacy. In the comics, Storm famously challenges Callisto for leadership of the underground mutant population. In X-Men: TAS season 1’s “Captive Hearts,” Storm likewise challenges Callisto to a duel.
Storm wins through cunning and sheer will, echoing her comic arc where she also defeats Callisto to become their leader. The live-action films never fully tapped into this storyline, though the pair are depicted frequently battling in The Last Stand. The animated version, however, leaned into the mythology and gave Storm the commanding presence and depth many craved. Her confrontation with Callisto was raw, personal, and visually intense – years before any movie ever attempted to explore this kind of mutant power dynamic or tribal rivalry.
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Wolverine Slices Up Sentinels
X-Men: TAS Season 1, episode 2 “Night Of The Sentinels, Part II” & X-Men: The Last Stand
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One of the most exciting sequences in X-Men: The Last Stand saw Wolverine and Storm training the younger X-Men in the Danger Room. The scene shows the team battling classic Sentinels, leading to a thrilling adaptation of the classic Wolverine toss – the fastball special. The result is Wolverine slicing through the mechanical monster, decapitating the android single-handedly. X-Men: TAS, meanwhile, introduced Sentinels from the very first episode, “Night of the Sentinels,” wherein Wolverine quickly takes center stage in the battle against the robotic mutant hunters.
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The cartoon consistently depicted Wolverine going berserk on Sentinels, slashing through steel with rage and precision. It was the perfect way to showcase his feral nature without crossing censorship lines. This gave animators the freedom to let Wolverine fully unleash his claws in a way the early films hesitated to do. The live-action scenes are more graphic, but the essence – Wolverine as a relentless Sentinel killer – was a celebrated part of the animated show.
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Bishop Fights In A Post-Apocalyptic Future
X-Men: TAS Season 1, Episodes 11-12 “Days Of Future Past” & X-Men: Days Of Future
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Bishop became a fan-favorite in X-Men: The Animated Series, thanks to his gruff attitude, energy-absorbing powers, and compelling time-travel arc. Introduced in season 1’s “Days of Future Past,” Bishop is a soldier from a dystopian future where mutants are hunted by Sentinels. Clad in a red scarf and wielding future tech, Bishop travels back in time to prevent mutant extinction. His scenes, particularly in subsequent episodes like “One Man’s Worth,” feature ruined skylines, rebel factions, and brutal Sentinel warfare.
This imagery would follow Bishop decades later in X-Men: Days of Future Past (2014). The animated series gave fans an extended look at Bishop’s struggle to rewrite a broken timeline, complete with philosophical questions about destiny. The film borrowed heavily from his visual and narrative elements, though he was a fairly minor character in the sprawling narrative. Still, Bishop’s debut remains a cornerstone of time-travel storytelling in X-Men history and X-Men: The Animated Series.
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X-Men: The Animated Series
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8.1/10
Release Date
1992 – 1997-00-00
Cast
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Cedric Smith
Professor X
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Norm Spencer
Cyclops
Creator(s)
Mark Edward Edens, Sidney Iwanter, Eric Lewald
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